ORIGINAL MASTER RECORDING

THE BAND
THE BAND


MFSL 1-419
180 gram Audiophile LP


MFSL 1-419 Cover Gain 2 Ultra Analog Logo A Numbered, Limited-Edition, 180-gram LP, Sourced from Original Master Tapes.

Incalculably influential: The Bandís self-titled sophomore release, a Country and Folk-Rock benchmark.   It includes staples like “The Night They Drove Old Dixie Down,” “Across the Great Divide” and “Up On Cripple Creek.”

M
any believe itís the most perfect Americana album ever made.   The 1969 touchstone very well may be.   Advancing the chemistry and cohesion of the groupís ground-shifting debut, The Band is an inimitable distillation of compelling storytelling, cosmic divinity, loose country-rock tunefulness, and superbly crafted songwriting.   Warm, literate, poignant, and intimate, the record established new standards for seemingly effortless telepathic interplay among first-class musicians whose creations are as much about feeling as they are about sound.

Mastered on the world-renowned mastering system and pressed at RTI, this collectable LP burrows into the sonic heart of hearth-rich fare that balances Appalachiaís mountain flavors, the Old Westís rollicking free spiritedness, Canadaís limitless vast folk sprawl, and the Deep Southís whiskey-soaked drawl.   Arkansas native Richard Helm blends his rural roots with guitarist Robbie Robertsonís allegorical narratives, the pair meeting at a crossroads that, on this pressing, reveals textures as organic as cotton and tonalities as timeless as the look of classic filmstrips.   Notes hover and naturally decay; cascading harmonies waft and reverberate; soundstages open up and extend, providing generous spaces for each memberís invaluable contributions to relax, settle, and enter into a wholesome communion.

Indeed, a force normally associated with higher powers appears to guide each one of the 12 tracks, honed to perfection by co-writer Robertson and his simpatico mates.   Sensitive, graceful, magnetic, entirely genuine: Whether focusing on Richard Manuelís spiritual piano chords and evocative tenor, Rick Dankoís simple albeit direct bass lines and melancholy deliveries, Robertsonís pull-no-punches leads, Garth Hudsonís majestically tuckpointed organ runs, or Helmís percussive rhythms, a sense of astonishment and truth dignifies arrangements steeped in meditative properties and barn-dance rawness.

From the swampy bayou grooves, jaw-harp-mimicking clavinet passages, and traditional yodels found on “Up on Cripple Creek” to the jubilant dance persuasion of “Rag Mama Rag,” The Band blends mythological devices with authentic melodies, rustic acoustic properties with haunting harmonies.   Universally identifiable, the characters in the songs are people well-versed in hardship, depression, working-class struggle, and Skid Row trouble.   Musically, the group balances sweetness and edginess on all of its foundational material, capturing the essence of American music and culture like no band before or since.


SIDE 1.
1. Across the Great Divide
2. Rag Mama Rag
3. The Night They Drove Old Dixie Down
4. When You Awake
5. Up on Cripple Creek
6. Whispering Pines

SIDE 2.
1 Jemima Surrender
2. Rockiní Chair
3. Lookout Cleveland
4. Jawbone
5. The Unfaithful Servant
6. King Harvest (Has Surely Come)




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