ACD 2193 Cover

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Telemann
Suite & Concertos


LES BORÉADES DE MONTRÉAL

Francis Colpron - flûte à bec / recorder
Manfred Kraemer - violon / violin
Hélène Plouffe - violon / violin
Margaret Little - alto / viola
Marguerite Schabas - alto / viola
Susie Napper - viole de gambe / viola da gamba
Isabelle Bozzini - violoncelle / cello
Pierre Cartier - contrabasse / contrabass
Eric Milnes - clavecin / harpsichord


ACD2 2193

A
part from Vivaldi, Telemann is the musician who offers the greatest variety in the choice and distribution of soloists.   Structurally, however, the concertos most often adopt the four alternating slow and fast movements of the sonata da chiesa', only his violin concertos generally embrace the three-movement vivaldian model.   In fact, Telemann seems more inspired by Torelli, Corelli and Albinoni than by the Red Priest.
- © Franç ;ois Filiatrault 1999


Georg Philipp Telemann (1681-1767)

Concerto pour flûte à bec, viole de gambe, cordes et basse continue en la mineur
Concerto for recorder, viola da gamba, strings and bass continuo in A minor     16:45
[ 1. ] (Grave)     (4:18)
[ 2. ] Allegro     (4:28)
[ 3. ] Doice     (3:46)
[ 4. ] Allegro     (4:13)

Concerto à 6 pour flûte traversiére, violon principal, cordes et basse continue en mi mineur
Concerto a 6 for transverse flute, principal violin, strings and bass continuo in E minor     10:00
[ 5. ] Allegro     (2:57)
[ 6. ] Adagio     (2:17)
[ 7. ] Presto - adagio - allegro     (4:46)

Ouverture et suite pour flûte à bec, cordes et basse continue en la mineur
Overture and Suite for recorder, strings and bass continuo in A minor     33:59
[ 8. ] Ouverture     (10:36)
[ 9. ] Les Plaisirs     (3:37)
[10.] Air à I'ltatien     (7:19)
[11.] Menuets I et Il     (3:23)
[12.] Rejouissance     (2:33)
[13.] Passepieds I et Il     (2:39)
[14.] Polonaise     (3:52)




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